Konferenz: DigitalSec2014 International Conference on Digital Security and Forensics 06-2014

The International Conference on Digital Security and Forensics (DigitalSec2014)

Detection of a Misuse of Digital Sound Sampling Manifestations, Analysis Methods and Labelling Strategies in Connection with Copyright Infringements

ISBN: 978-0-9891305-7-8
Seiten 100-109
Year of publication June 2014
Herausgeber: VSB-Technical University of Ostrava, Czech Republic
Verlag: The Society of Digital Information and Wireless Communications (SDIWC), Wilmington, New Castle, DE 19801, USA

Titel Tagungsband: DigitalSec2014 Proceedings, The International Conference on Digital Security and Forensics (DigitalSec2014) June 24-26, 2014
Konferenzprogramm

The Society of Digital Information and Wireless Communications (SDIWC)

Abstract. Nowadays the rapid technical progress makes editing and changing music, film and picture recordings more and more easy, fast and good. Computers with editing software have replaced keyboards, synthesizers and analogue multi-track technology in music and film production. The methods of sampling differ from the conventional pirated copy in that using a sample involves extensive changes and editing of the original work. For a pirated copy, the original remains unaltered. Different sampling methods make the technical analysis and the legal classification more difficult. Only if an analysis has been successful, a copyright infringement can be prosecuted. Specific analysis methods make it easier to clearly identify the use of samples. Labelling technologies that are applied correctly make an important contribution to the effective detection of unauthorised sound sampling. There are various articles on sound sampling with regard to copyright and many articles on individual technical methods. However, there are hardly any holistic views that integrate the problem of sound sampling into the fields of analysis, identification, and labelling. In combination with specific technical protective mechanisms against sampling, an unauthorised use of samples protected by copyrights can be prevented or reduced. Using and sampling somebody else’s piece of music or video can be a copyright infringement. The copyright and the neighbouring rights of performing artists and the neighbouring rights of phonogram producers are affected by the consequences of illegal sampling. Violations of personality rights and competition law may also lead to legal disputes.

Keywords audio ∙ authentication ∙ bootlegging ∙ single sound sampling ∙ forensics ∙ real-time frequency analysis ∙ interference ∙ cryptography ∙ neighbouring rights ∙ melody ∙ mash-up ∙ mix production ∙ multi-sampling ∙ phase inversion ∙ remix ∙ sample medley ∙ sound sampling ∙ sound separation ∙ spectrogram ∙ spectrometer measurement ∙ sound collage ∙ sound sequence sampling ∙ copyright ∙ watermarking

The International Conference on Digital Security and Forensics (DigitalSec2014) that will be held at VSB-Technical University of Ostrava, Czech Republic on June 24-26, 2014. The event will be held over three days, with presentations delivered by researchers from the international community, including presentations from keynote speakers and state-of-the-art lectures.

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Stefan Braun ist Dipl.-Ing. für Medien und Dipl.-Sachverständiger (BWA). Er studierte an der Hochschule der Medien in Stuttgart und Europäische BWA Hochschule für Wirtschaft und Management in St. Gallen / Schweiz. Er ist Druckvorlagenhersteller, Herausgeber, Verleger, Fachjournalist und Buchautor. Stefan Braun arbeitet heute als Medienberater, e-Commerce- und Kommunikationsspezialist, Sachverständiger für Medienproduktion und Mediendesign in Frankfurt am Main. Er ist Autor zahlreicher Fachveröffentlichungen und vertritt als Delegierter der „Berufsgruppe Verleger“ die Rechte und Interessen der außerordentlichen und angeschlossenen Mitglieder der GEMA. Aktuelle Buchveröffentlichung: „Technikjournalismus“ (UVK Verlag, Konstanz).

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